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Monday Begins on Saturday

(...) these and other pieces on view collectively attempt to deconstruct the ideology of progressivism when the very idea of the “future” today has become the means par excellence for advanced capitalism’s colonization of time through its use of futures trading—itself the subject of Minze Tummescheit and Arne Hector—cinéma copains’s Fictions and Futures—Happiness in the Abstract (2013), a great two-channel video that perverts the quantitative analyst’s role in ushering in the still ongoing Great Recession of 2007. Tackling the ironic jest, other works invite a not dissimilar sense of inversion as various ideologies are exposed as cruel traps and false pathways.

Adam Kleinman

art agenda

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